The Veolia Environnement Wildlife
Photographer of the Year is owned by the Natural History Museum and BBC
Worldwide. The images from the competition
shown in this blog are reproduced by kind permission of these organisations, so
please do not copy them from here.
It hardly
seems long since I wrote one of my first ever blog posts for my OCA course
after I attended the 2011 World Wildlife
Photographer of the Year exhibition at the Natural History Museum in
February this year, but already the 2012 competition has been judged and the
winners are again on show at the museum.
There are 48,000 entries for the competition, including a couple from me
(not winners!), and it is regarded as the premier wildlife photography event. It never ceases to amaze me the lengths to
which some photographers have gone to obtain their images and the amount of
work that is needed to capture the rarest moments, although the competition
offers categories for urban wildlife and various others that give all of us a
chance without plunging to the depths of the Arctic Ocean or wherever! The technical standards achieved throughout are remarkable and it represents the pinnacle of what is attainable, with the bar getting higher every year.
The 2012
winner was Paul Nicklen’s Bubble-jetting
emperors and shows emperor penguins in the Ross Sea in Antarctica surging
to the surface from beneath the ice as they rush for safety. I think this is a very complex image that
takes some time to digest and work your way around; there is so much going on
with birds near and far appearing in the image as different sizes – I think
that for me is what makes this image so compelling as the eye tries to make sense
of the perspective and work out over what distance it is actually looking. The clarity of the water and intense blue of
the ocean, coupled with the bubble trails, make it a remarkable setting and the
yellow colour accents of the feathers behind the eye really demand attention.
Paul Nicklen / Veolia Environnement Wildlife Photographer of the Year 2012 |
Nicklen also
won the Birds/Behaviour category with
Frozen Moment, again working with the
emperors and their attempts to get back to the ice and escape the leopard seals
lurking below. I actually preferred this
photograph to Bubble-jetting emperors
for its closeness, focus on a single intimate moment in time and the great
technical achievement to capture the image in the first place. The bird which is exiting the water is frozen in mid air by the shutter speed, as are the water droplets, and its framing aginst the distant ice cliff adds to the impact of the image.
Paul Nicklen / Veolia Environnement Wildlife Photographer of the Year 2012 |
Another image
on the flying theme was Ofer Levy’s Fly-by
drinking of a grey-headed flying fox skimming the water surface to
drink. I have tried this shot with
swallows taking insects hatching from a lake surface and it was a remarkable
achievement to nail this one – getting a bat with its tongue sticking out was
the icing on the cake!
Ofer Levy / Veolia Environnement Wildlife Photographer of the Year 2012 |
Anna Henly’s Ice matters speaks volumes for the potential
fate of polar bears as the arctic sea ice recedes each year and the life of
these creatures is held ever more in the balance. This was a really symbolic image in that the
fragmented ice floes almost seem to represent what is fast becoming a marginal
existence for the polar bears and in a way allude to how their world is
becoming more and more fractured and uncertain.
The use of the fisheye lens seems to add to the frailty of the bear
placing it as it does in the middle of the vast expanse of shattered ice.
Anna Henly / Veolia Environnement Wildlife Photographer of the Year 2012 |
There were,
as always, many absolutely stunning images in the exhibition, and one of my
favourites was Luciano Candisani’s Into
the mouth of the caiman as the creature waits for fish to come within
reach. The intensity of the lighting was
what attracted me to this image as well as the murkiness of the water hiding
much of the scene and consequently maintaining focus exclusively on the
business end of the animal. Finally, Practice run from Grégoire Bouguereau depicts a group of cheetah cubs
watching a Thomson’s gazelle calf running away .. but all is not what it seems. Events as told by the photographer related
that the mother of the cubs had actually caught the gazelle, but had not killed
it, and released it for the cubs to practice their hunting skills. The gazelle is in sharp focus running towards
the camera and is perfectly set off against the four cubs which are beyond the
depth of field, although this does not detract from the intensity of their
gaze. The triangular shape of the players in the scene with the apex heading towards the camera engages the viewer in the action and it is an even more impressive image seen 'live'.
Although there are categories
in WPOTY for various forms of portraiture, the most stunning and popular photographs
are invariably ones that show dynamic action with lots of movement and energy
to capture the imagination of the viewer.
There are a couple of truisms in wildlife photography and both allude to
the capture of the decisive moment in the narrative of whatever the photographer
is seeking to capture. Firstly, if all
you can think of as a caption as you press the shutter is just the name of the
animal, don’t bother, and secondly that to get winning wildlife images you need
to photograph the 3 Fs .. that’s feeding, fighting and … I can’t quite recall
the third .. !
Luciano Candesani / Veolia Environnement Wildlife Photographer of the Year 2012 |
Gregoire Bouguereau/ Veolia Environnement Wildlife Photographer of the Year 2012 |
No comments:
Post a Comment